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Opening January 23rd

By Alfred Uhry
Directed By Thomas Roy
Asst. Director: Bruce Kissinger
Written by the playwright who gave the theatre Driving Miss Daisy,
Alfred Uhry won the 1997 Tony Award for The Last Night Of Ballyhoo
. This insightful comedy/drama takes place in Atlanta, Georgia in December
of 1939. Gone With The Wind is having its world premiere, but the
characters are more concerned with who is going to Ballyhoo, the social
event of the season. Events take several unexpected turns as the
characters discover where they came from and who they really are.
"A charming......textured play," N.Y. Daily News
Show Dates
January 23, 24, 25, 30 &31 & February 1, 2003 at 8:00 p.m.
Sunday Matinees: January 26 & February 2, 2003 at 2:30 p.m.
Tickets
$10.00
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Lala Levy (Melissa Yorty)
proudly displays her picture of Rhett Butler she "liberated" from
the lobby of the theater where she has just seen "Gone With The
Wind". |
Boo Levy (Patti Amor),
and Adolph Freitag (Jim Amor) rehearse a scene. |
Some Notes From The Director
I am
simply, delightedly, amazed by my cast of performers and my crew,
especially my partner in this venture, Assistant Director Bruce Kissinger.
I have to state at the
outset that the first 30 years of my acting and directing career was in
the so-called “amateur” realm and that I didn’t turn “professional”
until I began to do this for a living 12 years ago. What I’ve learned is
this: professionalism is more about state-of-mind and dedication to the
craft than it is about money. Consider that every single person
affiliated with Ballyhoo, as just one example, is doing it
unpaid…unpaid for money, that is. But the pay my Ballyhoo family
is getting is better than money. It’s the reward (truly) of the craft of
acting, of performing, of sharing the work of a wondrous playwright with
you, our audience. And these are all folks who have lives out
there in the alleged real world, so they’re always juggling their need
to do laundry, go to school, go to work, eat, shop, relate to their
families with their need to be creative and expressive.
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(L to R) Boo Levy (Patti Amor), Lala
Levy (Melissa Yorty),
Joe Farkas (Michael Huffman),
and Reba Freitag (Ruth Roy) |
Sunny Freitag (Ann Whitmire)
and
Joe Farkas (Michael Huffman) |
In other words, this
marvelous crew of people I’m working with is doing it for the love
of it all, and there’s not a doubt in my mind that you’ll benefit from
that deep commitment when you attend The Last Night Of Ballyhoo.
I also must cite Rabbi
Louis Zivic of Beth Israel in Lebanon for his educational contribution
to Ballyhoo, as well as his spiritual support. In one evening he
gave us a visit to a part of American life that we knew little about,
and, more important, he gave us his blessing, for he knows, too, that
this play isn’t just about being Jewish—it’s about being human, and
we’ll see, if we’re honest, much of ourselves up there on the stage.
About The Cast
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Jim Amor, as Adolph
Freitag—talk about commitment! Jim’s a dentist who lives and
practices in New Holland, so as soon as his dental day is over, he and
Patti and son Jimmy pile into the SUV and high-tail it for Lebanon. Jim
is a veteran performer, from many venues, most common of which is the
Pennsylvania Renaissance Faire, where’s he’s been a member of the Acting
Company for about six years. He’s portrayed everyone from Sir Francis
Walsingham in Elizabethan England to Sergeant Bilko in the annual Blast
From The Past Rock ‘n’ Roll Festival. His Adolph is perhaps the kindest
man you’ll ever meet, for he wholly supports his widowed sister Boo and
her daughter Lala, his widowed sister-in-law Reba and her daughter
Sunny, all living under the same roof. He barely complains…except when
pushed. And he does get pushed, as you’ll see. |
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Patti Amor, as Boo
Levy—talk about commitment! Patti’s practically a full-time
everything…from helping Jim with his New Design Dental Associates, to
operating a house occupied by a husband and two sons, to her ongoing
theatre work. She’s performed recently in The Vagina Monologues,
and will be doing so again soon, and, of course, she’s a well-known
member of the Acting Company at the Renaissance Faire. Her Boo is a
woman to behold…and beware of…for this gal has some moxie! To be sure,
she loves and cares for her daughter Lala and everyone else under the
roof, but wow, does she have some opinions! |
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Michael Huffman, as Joe Farkas—Michael’s
goal is to go off to L-A and pursue that silver screen dream, and if
enthusiasm counts (it does, for sure) then he’ll succeed. What a treat
for a director to work with someone so willing and eager to learn, especially
as this is his first-ever onstage performance. You’ll be delighted with
his portrayal of Joe, a breath of some very different fresh air for
everyone in the Freitag household. Joe comes from a Jewish neighborhood
in Brooklyn, and he’s definitely scratching his head over the behavior
of these folks from Georgia! “Can I ask you something,” he says to
Sunny. “Are you people really Jewish?” Watch what happens when cupid
starts shooting arrows about the stage! |
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Jordan McCauley, as
Peachy Weil—also new to work on the stage is our pal Jordan. What a
task to have to capture the essence of the wise-cracking rich kid from
Louisiana, and what a great success to have done it! Peachy is a man of
many masks, all of them witty and bright, and all of them reminiscent of
Leave It To Beaver’s Eddie Haskell. Luckily, I think, Jordan, in
real life, really is Eddie Haskell. Jordan and Michael are pals,
so it’s just possible that he’ll head for the left coast, too. It’ll be
our loss. |
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Ruth Roy, as Reba
Freitag—what can I say about this actress who is also my wife? What am
I allowed to say?! But, seriously…it’s wonderful, for I’ve rarely
seen such a scholarly approach to taking on a part, and I’m speaking
here about all actors, for Ruth is up nights on the internet researching
1939 in America, 1939 in Atlanta, Judaism in America, fashion in 1939,
the works. Her Reba is, well…remember George Burns and Gracie Allen?
That’s it. Gracie Allen with an endless love for the whole world. I
remember what the Harrisburg Patriot wrote about Ruth’s
performance during LCT’s Greetings two Januarys ago—“Donna Reed
on mescaline.” Yes, I think, that’s Ruth, only more like Mammy Yocum on
three pots of coffee. |
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Ann Whitmire, as
Sunny Freitag—sheer joy. Those are the best and most accurate words
to describe what it’s like to work with Ann. She reminds me always of
the line from a poem, “Finely schooled in every grace.” Thus, in her
portrayal of Sunny, we see a gentle-lady, a swan, an angel, and above
all, a woman with a heart. Best of all, it’s a heart that’s about to be
won by a man who might as well as come from Mars. |
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Melissa Yorty, as
Lala Levy—sheer joy. Those are the best and most accurate words to
describe what it’s like to work with Melissa. And how fun to see Melissa
and Ann nearly come to fisticuffs in the middle of a raging battle right
in the living room! The challenge, of course, is that Melissa, like Ann,
is so gosh-durn pretty, and that’s a problem because Lala is not
supposed to be anything like her tall and gracious and brilliant cousin
Sunny, so we’ve discovered how to “disguise Melissa” so she looks like
Lala. One thing about Melissa I’ve learned already—she weighs, maybe, 98
pounds…but when she starts cookin’ up there, look out, for even Emeril
couldn’t turn it up that many notches! |
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Tom
Roy, Director—Tom
has been an actor, director, and teacher of acting and improv for
many years. He’s a member of the Screen Actors Guild and the
American Federation Of Television And Radio Artists, and his
television and screen credits include the wild-eyed street
evangelist in Terry Gilliam’s
12 Monkeys,
two separate gigs
on
Saturday
Night Live,
a co-starring guest
shot on Nickelodeon’s
Pete ‘n’ Pete,
and much more.
His full-time occupation is that of Associate Producer of the annual
Pennsylvania Renaissance Faire. LCT patrons may remember Tom as
Grandpa Frank in last season’s
Over
The River And Through The Woods.
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Bruce Kissinger,
Asst. Director
A veteran
performer, Bruce has appeared in numerous local community theater
productions, including Miracle on 34th St, Rumors,
Arsenic and Old Lace, and Cash on Delivery.
When not performing on stage, Bruce can usually be found
backstage designing lighting, or working on sound effects. Bruce
currently sits on the Board of Directors for both LCT and Annville
Community Theatre. He is ATF licensed in pyrotechnics, and owns Prog-Tech
FX…a stage lighting and special effects company. Bruce first met Tom
Roy while playing the role of Grandpa Nunzio in last season’s
Over The River and Through The Woods. He is ecstatic about
working with Tom on this production, and hopes to get the
opportunity to work with him again in the near future.
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Never Last
And Never Least
An army never moves, never attains victory without
the folks behind the lines, and our Ballyhoo army is blessed with
some real angels, as follows:
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Stage Manager:
Ian Bonner |
Stage Crew: (L to R)
Jimmy Amor and Michael Roy |
Crystal Wyman
Assistant to the Directors |
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Stage Manager: Ian Bonner
Assistant To The Directors: Crystal Wyman
Lighting Designer: Mark Cuddy
Angels-In-A-Million-Ways: John and Mary Lou Kelsey
Costume Designer: Karen Albert
Backstage Production Princes: Michael Roy and Jimmy Amor
Webmaster Mike Hartman, for service above and beyond the normal call of
duty.
And many, many more, all, like the above,
doing it for the love of the craft. God bless each and every one of
them.
Thanks!
Tom Roy
Call the box office to
make your reservations today at (717) 273-5151.
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